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Runnicles and Grand Teton Festival Orchestra bring striking clarity to Mahler’s ‘Fifth’ in a vividly engineered recording • 16 Apr 2026
Jerry Hou leads Atlanta Symphony Orchestra in a narrative throughline of Sohn, Glass, and Rachmaninoff • 13 Apr 2026
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Contrast, continuity, and control drive Gabriela Montero’s ‘Westward’ program at Spivey Hall • 30 Mar 2026
Pavel Haas Quartet shapes persuasive narrative arc in Schubert and Beethoven at Spivey Hall • 26 Mar 2026
Alexander Malofeev reshapes Spivey Hall recital with Prokofiev anchoring Scandinavian and Russian works • 25 Mar 2026
North Carolina Symphony raises the bar in Bartók, finds revelation in Beethoven ‘Emperor’ • 24 Mar 2026
Under Stutzmann, Atlanta Symphony’s ‘B-minor Mass’ falls short of its promotional promises • 18 Mar 2026
EarRelevant is Atlanta’s leading source for classical and post-classical music journalism.
Founding Publisher & Principal Writer
Photo credit: Stephanie Anderson
Founder, publisher, and principal writer Mark Gresham (b. 1956) has over 35 years of experience writing about classical and post-classical music and other arts. In 2003, Gresham received an ASCAP/Deems Taylor Award for music journalism. A composer, conductor, and journalist, he co-founded the monthly publication Chorus! in 1989 and edited it through 1995. Thirteen of his interviews from the magazine were published in 1997 as a book, Choral Conversations. Before founding EarRelevant, he was a contributing writer for Creative Loafing from 2002 to 2011 and then for ArtsATL until mid-February 2019. He has also written for NewMusicBox, American Record Guide, OPERA Magazine (UK), Where Atlanta/Georgia Traveler, among others.
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